Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue
Pool cue technique using the halter as the reference point and the thumb as the pivot point for either side of the maxillary cheek teeth.
Pool cue technique using the halter as the reference point and the thumb as the pivot point for either side of the maxillary cheek teeth.
Pool cue technique using the halter as the reference point and the thumb as the pivot point for either side of the maxillary cheek teeth. Note the calm pupil in his eye.
Pool cue technique using the halter as the reference point and the thumb as the pivot point for either side of the maxillary cheek teeth. Note the calm pupil in his eye.
Pool cue technique using the maxilla of the horse as a reference to the horse. I use this a lot for the caudal cheek teeth of the 1 arcade. This works well as a substitute for the nose in chest when that technique is either resisted or you are not ambidextrous. Note the calm pupil in his eye.
Pool cue technique using the maxilla of the horse as a reference to the horse. I use this a lot for the caudal cheek teeth of the 1 arcade. This works well as a substitute for the nose in chest when that technique is either resisted or you are not ambidextrous. Note the calm pupil in his eye.
The pool cue technique being used on 207 area. Notice the yaw out position of the shaft as well as the pitch down.  The thumb applies upward pressure of the blade against the teeth.
The pool cue technique being used on 207 area. Notice the yaw out position of the shaft as well as the pitch down. The thumb applies upward pressure of the blade against the teeth.
Melissa is using the shortie on #106 and uses the thumb of her left hand to keep pressure on the back of the blade.
Melissa is using the shortie on #106 and uses the thumb of her left hand to keep pressure on the back of the blade.
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